Art Brokerage: Stephen Morgan Etnier (September 11, 1903 ??" November 7, 1984) was an American realist painter, painting for six decades. He work is distinguished by a mixture of realism and luminism, favoring industrial and working scenes, but always imbued with atmospheric light. Geographically, his career spanned the length of the eastern Atlantic and beyond. He entered Haverford College in 1924 and transferred to the Pennsylvania Academy of Fine Arts, where he studied for four years. From 1925 through 1929 he studied and apprenticed under the artists Henry Breckinridge, Rockwell Kent and John Carroll. Drawing inspiration from The Moon and Sixpence, Somerset Maugham's novel based on the life of the painter Paul Gauguin, Etnier pursued painting, launching his career with a solo exhibition at Dudensing Galleries, New York City in 1931. He soon moved to New York's Milch Gallery, where he would remain until the 1960s. Etnier's early work of 1930s and 1940s provides a record of his life at the time. In May 1942, Etnier was commissioned as a lieutenant and assigned as commanding officer of the USS Mizpah, a North Atlantic convoy escort ship. In 1944, he was reassigned to the USS Tourmaline in Boston, and later to the USS General Omar Bundy in San Francisco. He completed his tour of duty in 1945. Etnier purchased land in South Harpswell, Maine in 1948 to build "Old Cove", his dream house and studio. Designed in collaboration with Portland, Maine architect James Saunders, the home features a porch cantilevered over the ocean, north-facing windows for his studio, and a living room overlooking the ocean and framed by Mondrian-inspired window frames. Named for the private cove it overlooks, the home served as the foundation for a productive and increasingly serene period in Etnier's career. The 1950s and 1960s mark a maturing, accomplished style in Etnier's work. Although still traveling south most winters in his boat, his life took a more domestic turn as he re-adopted Maine as his permanent home and married his fourth wife, Samuella "Brownie" Brown Rose. They were married for thirty-three years and had two sons. During those years, he painted daily, exhibited widely and enjoyed popular support, artistic awards and media attention. Etnier's work became more architectural, marked by stark geometry, light and shadow, impressionistic figures and accents of color and modern culture. He adopted an artist's discipline of rising early and painting each morning, seeking to capture the essence of Maine waterfronts and landscapes and the effects of light. The study of sunlight and water fascinated Etnier until the end of his career.